I notice that Strange Horizons is getting to grips with some of the shortlisted titles from last year’s Gemmell Award:
The question that presents itself, obviously, is: how easily can any of these books be judged on their own merits? This, certainly, is what the DGLA administrators are aiming for, as noted on their website: “[P]lease remember the Award is for the Best Fantasy Novel of 2008—that one book that has been Nominated (whether or not it forms part of a series) and not the body of an author’s work as a whole.”
What do they mean by “in the spirit of David Gemmell”? According to the same web page, what they are looking for is something that grabs the reader immediately, with pace (“you know, books that you’re STILL reading at three in the morning!”), characters to root for, and convincing world-building. Stories, in other words, that take hold and won’t let go until the final page—the reason we all started reading fantasy in the first place.
Quality of prose goes unmentioned, but I’m afraid it won’t in this review…
This, it seems, is one of the only actual comparisons of the fantasy titles that were shortlisted. I made noises at the time that no one was talking about the content of the books, and so here we go at last.
I must admit to finding it bizarre that any award can have a shortlist where titles are barely compared to each other. How can you call a book the “best” without such an analysis? Getting as many people to vote online seems a spurious way to go about this, when clearly no one could have read so many titles.
I’m not being grouchy here – please don’t misunderstand.
This is where my arguments lie: we bitch and moan about why we – the fantasy genre – are not taken seriously. But when we’re not going to compare and contrast, and dig into the content of some of the big fantasy titles of the year, how can the fantasy genre expect to better itself year on year? How can it expect to gain more respect? (If you don’t care for respect, then I guess that’s the end to my argument.) But we all know that we posses rather self-conscious moments, we fantasy readers, if we’re honest.
As Niall Harrison remarked in an email to me, the UK fantasy genre is in dire need of at least one juried award. And, I suspect, separate to a convention (which is not something in itself that is a problem, of course) in order to make things interesting for the genre and for readers.
Still, at least it means people are talking about fantasy books, which is something. Right?