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	<title>Comments on: Serious Fantasy Reviewing</title>
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		<title>By: Best Of The Blog So Far</title>
		<link>http://markcnewton.com/2010/01/26/serious-fantasy-reviewing/comment-page-1/#comment-4273</link>
		<dc:creator>Best Of The Blog So Far</dc:creator>
		<pubDate>Fri, 13 Aug 2010 07:51:46 +0000</pubDate>
		<guid isPermaLink="false">http://blog.markcnewton.com/?p=1955#comment-4273</guid>
		<description>[...] Serious fantasy reviewing &#8211; talking about the obvious. [...]</description>
		<content:encoded><![CDATA[<p>[...] Serious fantasy reviewing &#8211; talking about the obvious. [...]</p>
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		<title>By: Mark C Newton</title>
		<link>http://markcnewton.com/2010/01/26/serious-fantasy-reviewing/comment-page-1/#comment-2472</link>
		<dc:creator>Mark C Newton</dc:creator>
		<pubDate>Mon, 01 Feb 2010 20:28:55 +0000</pubDate>
		<guid isPermaLink="false">http://blog.markcnewton.com/?p=1955#comment-2472</guid>
		<description>&quot;If that were the case, what happened last year to Raymond Fiest, Steve Erikson, Ian Esselmont, RA Salvatore…?&quot;

Well, you also have to take into account the age profile of many of those novelists&#039; readership - who bought the novels, from where most are bought, etc. Juliet Marillier - she&#039;s got a big readership - the thing is, you have to look beyond the vocal minority. And who can tell where that leads, but essentially, it comes down to those things I mentioned above. 

By far and away the most important thing, though, is that we&#039;ve not once mentioned quality here. That&#039;s what interests me the most.</description>
		<content:encoded><![CDATA[<p>&#8220;If that were the case, what happened last year to Raymond Fiest, Steve Erikson, Ian Esselmont, RA Salvatore…?&#8221;</p>
<p>Well, you also have to take into account the age profile of many of those novelists&#8217; readership &#8211; who bought the novels, from where most are bought, etc. Juliet Marillier &#8211; she&#8217;s got a big readership &#8211; the thing is, you have to look beyond the vocal minority. And who can tell where that leads, but essentially, it comes down to those things I mentioned above. </p>
<p>By far and away the most important thing, though, is that we&#8217;ve not once mentioned quality here. That&#8217;s what interests me the most.</p>
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		<title>By: DMiller</title>
		<link>http://markcnewton.com/2010/01/26/serious-fantasy-reviewing/comment-page-1/#comment-2471</link>
		<dc:creator>DMiller</dc:creator>
		<pubDate>Mon, 01 Feb 2010 20:22:19 +0000</pubDate>
		<guid isPermaLink="false">http://blog.markcnewton.com/?p=1955#comment-2471</guid>
		<description>You are not the only writer with deadlines - in fact most of those in the industry whose opinions we might respect re judging an Award, have similar deadlines. Just try asking them to read a Shortlist of 5 novels, give up a couple of days of their time - for free - to be shut in a room to argue and debate. 

And at the end of the day, what exactly makes a collection of such people - who we may well like and admire - the arbiters of what is &#039;worthy&#039; or not? Do we need their opinions as to what we should or should not like? I think not. Do you rush out a purchase the Costa &amp; Whitbread winners every year? (And I know we&#039;re not going to agree on this point Mark! Let me just say, the DGLA is &quot;unashamedly commercial/populist&quot; &amp; I have no issue with that. 

&quot;Really, it just means “those with enough of an active online profile – in all languages – combined with those who already sell well.&quot;

If that were the case, what happened last year to Raymond Fiest, Steve Erikson, Ian Esselmont, RA Salvatore...? It takes more than an online presence &amp; a previous track record, I would venture to suggest it takes readers who really care enough, are invested enough in your work, to turn out and vote. Last year&#039;s Shortlisted Juliet Marillier, being a prime example of this...

Anyway, &#039;nuff said&#039; - hope to continue perhaps in a bar near you next weekend  ;-)</description>
		<content:encoded><![CDATA[<p>You are not the only writer with deadlines &#8211; in fact most of those in the industry whose opinions we might respect re judging an Award, have similar deadlines. Just try asking them to read a Shortlist of 5 novels, give up a couple of days of their time &#8211; for free &#8211; to be shut in a room to argue and debate. </p>
<p>And at the end of the day, what exactly makes a collection of such people &#8211; who we may well like and admire &#8211; the arbiters of what is &#8216;worthy&#8217; or not? Do we need their opinions as to what we should or should not like? I think not. Do you rush out a purchase the Costa &amp; Whitbread winners every year? (And I know we&#8217;re not going to agree on this point Mark! Let me just say, the DGLA is &#8220;unashamedly commercial/populist&#8221; &amp; I have no issue with that. </p>
<p>&#8220;Really, it just means “those with enough of an active online profile – in all languages – combined with those who already sell well.&#8221;</p>
<p>If that were the case, what happened last year to Raymond Fiest, Steve Erikson, Ian Esselmont, RA Salvatore&#8230;? It takes more than an online presence &amp; a previous track record, I would venture to suggest it takes readers who really care enough, are invested enough in your work, to turn out and vote. Last year&#8217;s Shortlisted Juliet Marillier, being a prime example of this&#8230;</p>
<p>Anyway, &#8217;nuff said&#8217; &#8211; hope to continue perhaps in a bar near you next weekend  <img src='http://markcnewton.com/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' /> </p>
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		<title>By: Mark C Newton</title>
		<link>http://markcnewton.com/2010/01/26/serious-fantasy-reviewing/comment-page-1/#comment-2469</link>
		<dc:creator>Mark C Newton</dc:creator>
		<pubDate>Mon, 01 Feb 2010 17:57:43 +0000</pubDate>
		<guid isPermaLink="false">http://blog.markcnewton.com/?p=1955#comment-2469</guid>
		<description>Debbie - I have looming deadlines: I have no time to read all the books! 

My question has always been of an online poll to represent &quot;the best&quot; (whatever that means). Really, it just means &quot;those with enough of an active online profile - in all languages - combined with those who already sell well.

And what makes a book sell well isn&#039;t merely down to authors - but marketing and advertising and placement in stores and the right book cover and... well, you get the picture. (I&#039;m one of the lucky ones, but I&#039;ve no problem in explaining the badness of what makes a book sell in the marketplace.)

But if you&#039;ve read some of the comments here, you can see the benefits of juried awards and how they stimulate debate. Which stimulates reading, discussion, passion...</description>
		<content:encoded><![CDATA[<p>Debbie &#8211; I have looming deadlines: I have no time to read all the books! </p>
<p>My question has always been of an online poll to represent &#8220;the best&#8221; (whatever that means). Really, it just means &#8220;those with enough of an active online profile &#8211; in all languages &#8211; combined with those who already sell well.</p>
<p>And what makes a book sell well isn&#8217;t merely down to authors &#8211; but marketing and advertising and placement in stores and the right book cover and&#8230; well, you get the picture. (I&#8217;m one of the lucky ones, but I&#8217;ve no problem in explaining the badness of what makes a book sell in the marketplace.)</p>
<p>But if you&#8217;ve read some of the comments here, you can see the benefits of juried awards and how they stimulate debate. Which stimulates reading, discussion, passion&#8230;</p>
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