Author: Mark Newton

Born in 1981, live in the UK. I write about strange things.
2Jan

Pilger on Radio 4 Today

When this was about to come on the radio this morning, I raised an eyebrow. Pilger is one of the great radical journalists, highly critical of governments. That he was on the BBC Radio 4’s flagship Today Program, talking about censorship and the corporatisation of journalism, was surprising to say the least.

Afterwards it was marvellous to see part of the establishment get wound up. Some media outlets, such as the Daily Mail, were in essence leaping to the defence of the State. The irony that many were attacking the ‘left-wing’ BBC (personally I find those left and right labels not very useful in 2014 anyway) for not censoring something that criticised the BBC and the British government, and selective censorship in media, was not wasted on me.

Anyway – Pilger’s always worth a listen. It’s a shame there are few journalists like him today.

30Dec

Reading Reflections

This year I seem to have discovered more about why I read than good books in particular. This isn’t to say there hasn’t been many good reads – on the contrary.

I think I read for the same reasons I write: to explore. I’m an environmentalist in the text: I like the experience of landscapes, real or otherwise. I like the sense of place. This is partially why I’m drawn so strongly to landscape books: there’s something about a personal interaction with the landscape that appeals to me as a reader and a writer. It is, ultimately, about the world shaping people, after all. Or people shaping an artificial landscape, I never quite know. Inner journeys, at least.

The idea of a ‘increase the number of novels you read’ kind of list doesn’t appeal to me – reading isn’t a race; cramming them in won’t improve me as a reader. Besides, I can still get pleasure from a book if it sits happily on my shelf being a nice edition that I interact with from time to time. With that realisation, I’ll highlight some further areas of exploration for 2014: nature writing that isn’t limited to Britain, although that tends to be my personal escapism these days; history of eras with which I’m not familiar, though I bet I go back to Rome more often than not; more crime novels, though they, too, tend to be strongly connected to settings. For some reason I’d like to try more random biographies, too. There might be the odd SFF book, but writing so much of that genre day and night, I’m not as bedazzled as easily. Or the real world dazzles me more.

A rambling post, this, but I never promised it would go anywhere.

26Dec

Boxing Day Walk

Reservoir1
Reservoir2
A walk around Scar House and Angram reservoirs today. Freezing, but clear as glass, with just a little mist hanging in one gully, and snow on the hilltops. Exactly what was needed after a day of over-indulgence… Hope you all had a good Christmas.

20Dec

My Reading, Gender Quotas

About a year ago I said I wanted to read more books written by women. This was largely to identify whether or not I was being sexist (unintentionally) in my reading. I tend to interact with books in different ways – some I’ll read parts of some for research, whereas others I’ll blast the whole way through. I had an ambitious “aim for 90% women writers” target for my reading, in which I failed miserably. In my vague record I seriously interacted with just under 50 books for 2013, and ended up with an approximate skewing of 60% male writers to 40% female.

Thoughts:

1) For many historical topics (this year’s fascination was on Anglo-Saxons as well as Romans) there are virtually no female writers. It’s so utterly male-dominated you would think it a 19th Century gentlemen’s club, and not publishing in 2013. That’s part of the reason I read more men than women this year.

2) Same goes for British nature writing. It’s absurdly skewed towards men – there are a handful of great female writers (Kathleen Jamie today, Ella Pontefract in yesteryear), but it was hard to find any books not written by men. There are publishers to a great job of bringing back writers of the past, such as Little Toller books. But when their list is 95% men, you get to see the problem isn’t anything new.

3) Sexism is invisible in publishing, for some genres more than others. You might not need to be sexist to reinforce sexism, because it’s such a part of the industry. Perhaps more specifically, women are invisible in some genres of publishing more than others.

4) This is, of course, most certainly not unique to publishing, but many facets of society. Or rather, it is society. Only by making a conscious choice – a quota – could I get close to a balance. But even then some areas of my reading are so dominated by men that it was almost impossible to get balance.

5) Making quotas exposes you to new writers. This is good for so many reasons.

6) Things are just as bad, if not worse, for non-white writers. I dare say that the ethnic diversity of the UK is not reflected in publishing.

7) I’m going to try harder next year. I’m going to actively contact publishers in my own areas of interest and ask them why they aren’t publishing more women writers. Imagine how cool it would be if more people did that?

8) Apologies that this deals with gender in a binary sense.

19Dec

Fireplace Trailer

The poet William Cowper wrote to a friend in 1783:

“I see the winter approaching without much concern, though a passionate lover of fine weather, and the pleasant scenes of summer, but the long evenings have their comfort too, and there is hardly to be found upon earth, I suppose, so snug a creature as an Englishman by the fireside in the winter.”

A lovely notion, which brings me to the above video. Netfix has a lot of videos of crackling fireplaces, ready to stream. If like me you don’t have a roaring fireplace, this is kind of cool.

(Via Laughing Squid.)