Epic Hollywood film scores aside, over the last couple of years I’ve discovered some remarkable modern composers and orchestral works. They’re wonderful to listen to when you’re writing, or even when you’re sitting alone in room, brooding. The more you listen to them, the more little quirks you discover in the score. I’ll maybe post some more when I get the time, but here are two whose music should be explored.
Zbigniew Preisner is one of Poland’s leading film composers, but the album I want to mention is Requiem For My Friend, which you can listen to on Last FM. Veering away from the darker side of Karl Jenkins, Presiner mixes orchestral and choral works, drawing deeply from that great tradition of the requiem. There is something distinctly gothic about the resulting album; and in some places the songs soar, in others they bring a deeply meditative quality.
The next composer I want to mention is a much more famous chap, Ludovico Einaudi. His amazing piano works can be heard in the odd television commercial here and there, and most if not all the snippets are taken from the album Divenire. The melodies are soothing, profound and elegant. If you’re reading this whilst stressed out in your office, then plug in some headphones, take a few deep breaths and listen to this: